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The Kid’s Got Guts
Chris Smith | Photo: Matthew Scott | January 30, 2013
At just 24, Theo Ellington has already faced down Ed Lee—and made political insiders take notice.
Although he was an indifferent student, Ellington found inspiration in after-school film programs that sparked both his creativity and his social conscience. As a junior, he made The Homeless Orchestra, a 10-minute film on San Francisco’s discordant homeless policy. Salesforce.com founder Marc Benioff saw it and showed it to then-mayor Gavin Newsom, who took it to the World Economic Forum in Davos. Ellington was now on Newsom’s radar, and appointments to city commissions followed. Ellington also threw himself into community organizing. In 2010, he helped Cohen pull off her nail-biting supervisorial win. The following year, after earning a degree in political science from Belmont’s Notre Dame de Namur University, he managed southeastern volunteers for City Attorney Dennis Herrera’s mayoral bid.
Last June, when Mayor Lee told the Chronicle that he was intrigued by New York City’s stop-and-frisk policy, the issue struck a personal note with Ellington. The police are often seen as an occupying force in the Bayview—cops have pulled guns on him without cause, Ellington says, and once a SWAT team broke down the door of his house. “Long story short? Wrong search warrant.” And the police who did it? “Not necessarily the best attitudes.”
Ellington’s Black Young Democrats, which began with 40 members and is slowly growing, was the first group to push back against Lee. Ellington launched a petition that quickly garnered 2,300 signatures, along with a photo campaign in which he and others posed with signs that read, “Am I suspicious?” In mid-July, a coalition built by Ellington’s group held a press conference on the steps of City Hall. Asian Americans, Latinos, and African Americans turned out, and the Board of Supervisors passed a resolution condemning stop-and-frisk. A couple of weeks later, the mayor stood down.
In truth, stop-and-frisk was never likely to become city policy. Ed Lee is a former civil rights lawyer, and Police Chief Greg Suhr categorically dismissed the idea. But Ellington’s campaign showed that the African-American community—down to about 6 percent of the city’s population—still has some fight left. It also heralded the emergence of a new leader. “Brotha Clint” Sockwell, a community activist, a teacher, and one of Ellington’s mentors, puts it sardonically: “Theo represents the hope of the remaining three or four black people in San Francisco.”
Indeed, Ellington says that protecting the Bayview is his main priority. In December, he assumed a seat on the new Commission on Community Investment and Infrastructure, which replaces the Redevelopment Agency. (The mayor, who nominated him, apparently holds no grudge over stop-and-frisk.) Ellington hasn’t forgotten the displacement of African Americans in the Fillmore in the name of redevelopment. “One of my jobs is to make sure that doesn’t happen again,” he says. “Folks are moving into the Bayview, which is fine, but we need to preserve the diversity that we preach to the rest of the world.”
That said, Ellington has every incentive to look beyond the Bayview’s borders for support. African Americans in San Francisco no longer have the numbers or the political juice to accomplish their goals—and tackle issues affecting low-income people citywide—without forging alliances. Viewed through this lens, the young, multiracial coalition that Ellington built for stop-and-frisk can be seen as a dry run for campaigns to come, whether issue-based or when Ellington runs for office himself. (He is refreshingly open about his ambition, though noncommittal on the specifics.) As James Taylor, chair of USF’s politics department, says, “The black community should not have permanent friends or permanent enemies—just permanent interests. Theo understands that.”
Back at the fundraiser, Jones wraps up his speech with an exhortation to his millennial listeners. The civil rights generation, he says, led the way, but now it is the younger generation’s turn. “You have the responsibility to govern,” he tells them. The audience roars in approval.
Retaking the stage, Ellington slowly repeats Jones’s words, as if considering the enormity of the task ahead and of the hopes placed on him. The room grows silent. “I don’t even know what to say right now,” he admits. But then he recovers. “I’m gonna need you guys’ help. This is not a battle that we can do alone.”
Originally published in the February 2013 issue of San Francisco.